American Museum of theMoving Image (1999). Serene Intensity: The Films of Ernie Gehr. New York: American Museum of theMoving Image.
Camper, Fred (1995). "Edge City: review of Side/Walk/Shuttle" Chicago Reader (February)
Camper, Fred (2000, March 3). "View Master": Review of three films by Ernie Gehr, Still, Table, and Untitled (1977)", Reader.Carter, P. (2003, Winter). Ernie Gehr's Cotton Candy. Hidden Currents, 39/40, Retrieved from mfj-online.org/journalPages/MFJ39/carterpage.html Frye, B. (n.d.). Ernie Gehr. Retrieved from www.hi-beam.net/mkr/eg/eg-bio.html Hopkins, D. (2006). Neo-Avant-Garde (Avant Garde Critical Studies 20). Amsterdam: Rodopi. 119-128. Kasman, D. (2005, October 9). A playground with no supervision: an interview with Ernie Gehr. MUBI, Retrieved from mubi.com/notebook/posts/1087 MacDonald, S. (1990). Ernie Gehr: Camera obscura/lens/filmstrip. Film Quarterly, 43(4), Retrieved from www.jstor.org/stable/full/1212718?seq=1 MacDonald, Scott (1993). "Ernie Gehr: Serene Velocity," Avant-Garde FIlm. New York: Cambridge University Press. 37-44. NEIL, J. (2007, Febuary). Who's afraid of structural film?. FILM AND VIDEO, Retrieved from jonathantdneil.com/pdfs/WhosAfraidOfStructuralFilm_AR_Feb07.pdf Rucas, D. (2004, April 14). Comparing structural films versus the classic Hollywood format. Film Articles and Critiques, Retrieved from www.angelfire.com/film/articles/structural.htm Sicinski, M. (n.d.). Working through the city: Ernie Gehr's signal - Germany on the air. Unpublished manuscript, Retrieved from http://www.academichack.net/GEHR3.htm Sitney, P. Adams (1979) Visionary Film: The Americn Avant-Garde 1943-1978, 2nd.ed. New York: Oxford University Press. 436-440.