Miscellaneous Verse

 

Sand Dollars

round shells with a flower design
imprinted on their humped backs,

and the veins in their underbellies,
branching out of the hole that sandpipers

so neatly drill before sucking out
the juiciest flesh morsels, so many,

strewn on the strip of Ocean Beach --
large ones, small ones, dirty ones,

clean ones, gray ones, cream ones,
some tinged with black, some with green,

such abundance, you cant pick them all --
your hands, your pockets full --

you're sure you've gathered more
than you'll ever need, or spend ...

'til settled in your study -- 3000 miles
from the Pacific, you miss the ones

given away, mourn the ones broken
in transit, survey the chips in all

the survivors' edges, and hear the echo
of small white bones -- dove wings

fluttering in the vacant shell.



Terns' Nesting Area: Do not Disturb

reads the sign, "Walk along
the beach only." That's O.K.
with me. It's peaceful here alone
with the sand, the sea, and the shells
secreted away in my shirt pocket, the shells
gently chafing my chest.

Two miles down the shore -- bathers,
beach umbrellas, ice chests, and portable toilets,
while here, playful waves send foam
to within six inches of my right foot,
planted firmly in the sand --
the heel dug in.

The mind sails off into yesterday -- such fun;
the family swimming in the storm -- no sun,
just kids bobbing like dolphins
in the gong-grey sea.

Today -- everything so clear, way
way out in Buzzards'Bay, the red points
of sailboats scraping the blue sky
know nothing of me, these fragile shells,
this shore, these waves roiling down
into ripples tickling, lapping
at the edge of all endangered species.



War Game



"Pow!
pow! pow! pow!
pow! pow!"
toy plastic gun
"Pow! pow!"
in hand
"Pow!"
smiling
"Pow!"
tall blond blue-eyed
"Pow! pow! pow!"
3 year old boy
"Pow! pow!"
stands there
"Pow! pow! pow!"
continually
"Pow!"
killing me
"Pow! pow! pow!"

        Reeling back
        "Pow! pow!
        in pain
        "Pow!"
        I ask
        "Pow!"
        Why
        "Pow! pow"
        do you want
        "Pow! pow!"
         to hurt me
        "Pow! pow! pow!"
         why
         "Pow!"
         do you want
         "Pow!"
        to kill
        "Pow! pow! pow!"

He answers
"Pow! pow!"
I likta kill people
"Pow! pow! pow!

        Silenced
        "Pow! pow!"
        I brush back
        "Pow!"
        strands of hair
        "Pow! pow!
         rub my forehead
        "Pow! pow! pow!

Whatsa matta
"Pow! pow!"
he asks
"Pow! pow! pow!
ya gotta headache?
"Pow! pow! pow! pow! pow!"

 
Challenger

The quarter moon,
a Cheshire Cat smile,

curls, cozies up, appears glued
at some odd angle to the Empire State Building,

hangs suspended a few inches above
the sharp spikes of skyline.

The Empire towers stories above it,
layers upon layers of squares --

some lit up, some dark, all supporting
red warning lights aspiring to the stars.

Minutes pass -- then nothing, nothing but
that building, more buildings, and blank night sky ...

the smile disappeared in space
like debris in the sea.


Note to Explain Why I Didn't Go to the Greek Restaurant after the James Wright Memorial Service, Downer Library, New York, New York, March 25, 1981

                                            (for Robert Bly)

I was moved, moved again
by the old magic, your voice,
your hands casting scraps of bread
upon the waters, your hands swimming
like your daughter in Wright's poem,
pushing aside the dark curtain.

The current was kind those five years,
your smooth, clean face gleamed
serene and calm, your voice breaking
just once -- just before the end --

when Dave Ignatow's arm tightened round
your shoulder, and your tears flowed freely,
as you sat down --

I noted your hair, all silver
and thought of my own streaks of gray
floating in that direction,

thought of your words: "a poem
should transform, involve, and kill," you said,

thought of you and Jim together
on the banks of the Ohio River watching
autumn leaves drift downstream into mist ...

I will tell you now. I have the same
vision of death, the one I shared
riding north on the narrow Illinois road,
the one you mellowed with preacher talk
about the light shining on the other side
and the big fish that swallows us all -- yes
even after your dulcimer twang, your
moving tribute to Jim and Annie's love,

I hold the same dark view: we are
worms wriggling at the end of lines, worms
held down by sinkers of polished stone,
worms squirming for a time, all the time
with death, a barbed hook, shoved up our ass.


The Opossum and the Moon

The mother opossum hangs upside down.
The moon rests -- a pockmarked orange in my hands.

Her child is in her pouch.
I throw the moon. It flies away.

She hangs by her tail, playing dead.
I swim out to fetch -- fingers stretch.

She hangs by her tail, playing dead.
The water collapses into air. I fall

back on shore. The moon falls too.
She hangs by her tail, playing dead.

I catch the moon, throw it again.
The opossum and child light up like a bulb.



Poem(s) for the Person who Stole the Posters -- and Poems Intended to Prick his Conscience from my Door

                         (in the order of their disappearance)


I
Keep them! I'm glad
a Normal someone -- cares
so much about poetry --

just one favor -- please
share them with others, keep
them in a conspicuous place, and then

when they are stolen from you,
come talk to me about poems.

II
(Until you do, I'll wonder
whether you hate or love.)

III
You may have taste, but
you ain't got much class.

The least you could do
is leave something in return --

even a packrat does that.

IV
We'll have to stop -- not
meeting like this. I mean,
what will the neighbors say?

V
Your silence scratches the cornea; again
I squint at the blank door. I guess
you'll have the last word --

almost.



Lines Started Outside Filene's Basement

on the second floor of the Worcester Center Mall, 7:15 pm, March 3,
1991 while waiting for my wife and her sister to try on dresses and
looking over the mostly deserted stores, at the chain curtains
let down so the merchandise (what's left of it) cannot get out --
thinking of the clerks behind bars in their darkened stores
counting their meager take while I'm sipping my ice and diet soda
from Orange Julius (the only other store open) instead of coffee,
which the attendant had warned me off of saying: "It's pretty bad.
It's been sitting around for a while," all else closed, even Jordan
Marsh, the increasingly barren, sinking flagship with its 40% off
going out of business sale -- watching every once in a while a
person going up or down the escalator, an eerie, quiet depressing
depression scene overall, everything in decline, even
the fountain appears tired, worn out, only half
its lights on, the emerging water forms:
puny gurgling hunch-backed wraiths
half-heartedly attempting to escape, -- being interrupted by the
well dressed middle aged man with the slight British accent asking
me for a match (which of course I don't have) no light,
no connection to the black teen with his baseball cap on backwards
and his back to the fountain while facing the square of light
that is Filene's Basement and inhaling his cigarette -- feeling
no connection to the young white with the scruffy beard who wanted
to stay but left with the fat hispanic woman who said: "I'm going!"
and meant it! "What's up, Jack?" he offered in passing "Not much"
I replied as friendly as I could, "Nice hat!" he said, already
passed, "Thanks," I replied to his receding shape -- and thinking
the parking costs $10.00 to get into this place.



The Fresco on the Cupola

above the altar -- shows lumps
of grey brown mushroom clouds

floating brainstuff in pools
of robin's egg blue

and in the center -- with a white
oyster shell aureola -- Christ

an embodiment of the radiant energy
that makes all things new

with chubby, little, Fisher-Price cherubim --
odd assorted figures licking Dairy-Queen swirls,

little round wooden heads hiding under his cloak,
and peeking out from the folds ...


666 POET  

reads the license plate; Satan
is glowing;
                    the righteous birds
are chirping,
                    attacking the windshield.

My son, of course, went 0-5
(with 3 K's) the night
                    I first thought
of this poem, and his error
in the ninth lost the key game.

The pump of the community well
has broken,
                    and no one can fix it
just dry rusty dust
                           coughs
up out of the pipes
                           and the cows
in the pasture behind my house
                           are off schedule --
and giving radioactive milk.

The built up tooth on top
of one of my root canals
                     has chipped off;
the other canal is infected;
                                both
have to be redone,
                                 and
the newspaper says the eggs
of all the chickens in Connecticut
contain twice the cholesterol
of the national average
                                 while overhead
the ozone layer is depleting faster
than even the most pessimistic
had imagined --
                                 the cancer rate
is skyrocketing -- Wheeeee!
Once a month my front lawn
is a carpet of snakes,
                              slithering,
dancing -- their eyes glittering
in the light of the full moon.



Human Brain: Figure 11.1

in the Biology teacher's handout --
three views -- the "inferior"
shows a praying insect, antenna,
outstretched -- trapped in the wrinkles
of a walnut shell

the "lateral," long distance view
shows a mushroom cloud arising
out of the cerebellum, the dark
hooded executioner's face half hidden
by the white stem,

and the "sagittal," the close up
where the cerebrum hovers over all,
the pineal body is visible above
the fourth ventricle, and the cerebellum
is simply delicious, a sliced mushroom
sautéed with onions in vegetable oil.



A Miracle

Vacation's over, but awake again at dawn
on the third floor, looking out and down
into overcast drizzle past the grass
and trees and clear deserted road
into the mall's parking lot.

I have been looking at the ocean
too long, so long the lot is a grey sea,
the light pole a ship's mast, that flattop
brown building across the way a pier,
those two or three dark cars,
small islands,

and the fisherman in the red shirt,
out there, is walking on water.

 


Nikos and the Gull

both in white on ecru rock rising
out of the baked nearly black kelp
hung out to dry by the retreating sea --

the gulls feathers, and Nikos'
new addidas shirt, both ablaze
in midafternoon sun -- the gull

digesting his snail lunch -- Nikos
his 7 yr old brothers' birthday
cake,
                                     Nikos watching 
the gull, the calm harbor --

"It would be
nice to be able to fly" he says,
squatting on his toes so as not
to step on any snails --
                                     "Nice,
but not necessary, or sufficient,"
I reply, "you have already flown

farther than any gull
the world has ever known."

 


How the View Changes

when the sun comes out
from behind a cloud, how much
brighter, cleaner, the whole world

shines -- how this light reveals
the essential greenness of trees --
how bare flesh glows . . .

and how much brighter
when viewed through a lover's eye --

as if a sun had emerged
from behind the sun!



The Mind Plays Tricks

like when it's convinced it's
traveling west, even though all
the traffic signs say east,

like after angioplasty -- the pains,
the twinges under the left armpit,
the pressure all around the heart
that won't go away . . .

                                    the mind --
so sure (even though the doctors
all say "No!") so sure the stents
collapsed as they did on that guy
in the bed next door, that poor guy
who had the same procedure and was
feeling pains (8 or 9 on a scale of 10)
when they wheeled him back into the lab
at 2:00 am --

the mind, so concerned about the stents --
it knows, at the very least, the blood
must be starting to clot around them . . .

thus,

arteries clog to fit the maps
our minds design,
                             and faces
grow to fit our anguished masks.



Temple Street

The last leg of my old paper route that began
at the postage stamp Shell station where
I would linger, listening to the ball games --
I remember, especially, the playoff,
the Bobby Thompson home run --
                                                      the celebration
echoing through the spring leaves of Maples
that still line the street -- the buzz
that still hums through the wire
strung across it --
                            the wire where the robin
sat before Ray and his gang (with me
tagging along) shot it down with a B-B gun --
pellet after pellet into the twitching mass --
me begging for just one shot -- "No,
it's my gun!" Ray said --
                                      the wheels turning,
still pedaling down Temple street, past Ray's,
the cramped trailer opposite the apple orchard
where he lived for over five years while
the main house was being built --
                                                  next to the
state woods where one time on Pine Hill, overlooking
the reservoir, Ray showed me the knife and ski mask
he kept in his pocket just in case he came across
the doctor's daughter who would sometimes swim
there in the nude --
                               the doctor's daughter
who got pregnant the night of her senior prom
and dropped out of Tufts -- got married
in the middle of her Freshman year and lived
in that house on the odd fork off Temple Street --
she had made her bed, her father said, and now
she must lie in it -- her twin brother --
I hear, graduated from Tufts -- followed in
his father's footsteps . . .
                                      higher education --
how crucial (I once believed) delivering the news,
empowering me to choose, to leave Ray's dark
way behind and wind around the curl, the bend
in the road, the comma around the cove
of the res,
                 the pause,
the sunlit surface, the glittering myriad --
rippling -- the evergreen boughs -- greetings
(I still believe) this etching, as intense,
as beautiful as ever . . .

this deeply embedded image stretching
as far as the mind can save . . .
                                                the sentence
within the temple quickens its pace,
the comma turns into a question mark,
moves in a direct line to the cemetery,
                                                           seeps
underground into the grave, the family plot
where my father sleeps with my mother,
my grandfather, grandmother, and so many more
who have voyaged to this fine and public place,
so many times before --
                                      seeps into the dark blot
beneath the question mark, the period

at the end. 

 

The Internal Waiting Room

at the Urologist's office -- "The Doctor
will be right in -- he has only two other
patients to examine first," the nurse says --

I look around the room at the details,
the color coordination -- all the grey
and lilac in the splotchy tiles, and in
the curtain hiding the cabinets containing gauze,
sterile water, hospital pj's, the cabinets
above the counter. . .

the counter with tissues, rubber gloves
and a tube of lubricant in open view. . .

the metallic blinds -- parallel lines
drawn editing the landscape. . .

the wallpaper -- matching the tiles,
more gray and lilac, more parallel lines --
trinities of vertical lines passing through
trinities of triangles within triangles

lilac within grey against the same
splotchy background -- all in all
a pretty typical, topical, cubicle

I look at my watch -- 10:08 over half an hour
has passed, It's warm, I'm drowsy, think
it can't hurt to rest on the examination table,
to just close my eyes for a second ...

"Attention, attention," the voice over
the loudspeaker breaks my reverie, "Everyone
should be out of the computer"

"I didn't know anyone was in it" I snicker
to myself, sit up, look at my watch
and see that no time at all had passed,

look around some more -- note the phone
on the wall behind the round stool with four
metal legs and wheels, the phone above the table
in the corner of the room with more tissue
and a questionnaire: "Check the facts
about your urinary activities," it says

Do I need this? I wonder,
or the washstand with its yellow,
urine colored soap in a clear plastic bottle
below the silver paper towel dispenser
and the red plastic bucket with "Danbury
Urology Associates" stenciled in neat white
letters across its front,

such an ordinary room, I think,
look at my watch again -- 10:08 -- Oh, damn . . .
my watch has stopped entirely -- what time
is it I wonder -- maybe I should ask the nurse
but when I try to open the door, I can't --
it's the strangest thing -- it's not locked
but there's no door at all -- just a large
silver handle sticking out of a wall painted
to look like there's a door in it -- hey

this is crazy -- I just came in that way --
there's the round rubber target to protect
the wall from that clumsy handle,

what's going on here? I think as I walk
across the room to the window, pull aside
the horizontal blinds, and touch not glass,
but smooth, hard, hand painted metal . . .

the phone! how bout the phone, -- I run to it
lift it off the receiver -- sure enough a hum,
a dial tone -- but when I dial operator,
or any number at all, nothing happens, nothing
happens, nothing happens at all. . .
                                                   desperate 
I pick up the stool, think of attacking
the painted window. . .

when I hear someone at the door, startled,
I put down the stool, get back on the table
as the Doctor walks in. . .
                                        "Wow! am I glad 
to see you!" I say, in a strange
otherworldly voice, and thinking to myself,
"I must have dozed off. What a strange dream. . ."

"Take off your clothes, from the waist down,"
he says, "sit on the table, wait for me.
I'll be right back. . ."

I'm still waiting. . .

I've checked the window -- it's still
painted metal, and my watch still says 10:08. . .

I'm afraid to check the telephone --
or the door.

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email: ScrimgeourJ@wcsu.edu